The aim of these discussions was to generate a multifaceted overview of current scholarship devoted to medieval paint and painting, and its changing faces and meanings. The sum of the individual contributions is a panorama of the sort that has come to characterise the interactions and rich discourse between conservators, conservation scientists and historians. The resulting knowledge base has become a theoretical and practical underpinning for a project known as ‘After the Black Death: Painting and Polychrome Sculpture in Norway, 1350–1550’ , which is based in Conservation Studies at the University of Oslo.
ISBN: 9781909492103
Binding: Hardback
Dimensions: 246 x 175mm
Pages: 216