Scientific program

The complete scientific program will be published closer to the date of the conference.

Overview

Related information

Pre-conference workshop, Monday June 3

30.04.24: the Workshop is fully booked.

Colour and appearance for cultural heritage – new research approaches from the ApPEARS and PERCEIVE projects.

InART2024 is pleased to host the workshop “Colour and appearance for cultural heritage – new research approaches from the ApPEARS and PERCEIVE projects” on June 3rd. The workshop showcases the activities of the NETApP (NFR-funded) and PERCEIVE (EU-funded) projects. The program is shown below.

There is no extra charge for the workshop, but it is open to a maximum of 75 participants on a first-come first-served basis. It will not be streamed. You may sign up via the InART2024 conference registration form. Admitted participants will receive a separate communication from the group organizing the workshop.

The workshop hosted by InART2024 and organized by Colourlab at NTNU and Munch Museum.   

Location: Auditorium 2 and Undervisningsrom 1 at Georg Sverdrups Hus, Blindern campus, Oslo

Program Workshop, June 3

Time Monday, June 3
09:00–09:05

Welcome and workshop introduction

Jon Yngve Hardeberg, Colourlab, NTNU

09:05–09:35

Fundamentals of material appearance

Davit Gigilashvili, Colourlab, NTNU

09:35–10:05

Appearance measurement

Majid Ansari-Asl, Colourlab, NTNU

10:05–10:30 Coffee break
10:30–10:55

Documentation of 3D Surfaces with Varied Material Appearance

Markus Storeide, Colourlab, NTNU

10:55–11:25

Physical and digital realities and their relation when reconstructing polychromy from the Middle Ages

Kaja Kollandsrud, Museum of Cultural History, University of Oslo

11:25–11:45

Graphical 3D Printing: Appearance reproduction using 3D printing techniques

Raed Hlayhel, Colourlab, NTNU

11:45–12:10

Living Polychromy: Re-creating the appearance of ancient Mexican artwork in 2.5D prints

Abigail Trujillo Vazquez, Colourlab, NTNU

12:10–12:30 Open discussion
12:30–13:30 Lunch break
13:30–13:50

PERCEIVE project: who, what, how

Irina Sandu, Munch Museum

13:50–14:10

Color and Meaning in the art of Edvard Munch

Sivert Thue, Munch Museum

14:10–14:50

Color science and simulation of ageing/fading/darkening

Irina Ciortan and Giorgio Trumpy, Colourlab, NTNU

14:50–15:15

Artificial intelligence and reconstruction of colored art objects

Saptarshi Neil Sinha, Fraunhofer IGD

15:15–15:30 Q&A
15:30–15:50

Coffee Break

15:50–16:25

Parallel demonstrative sessions (15 min each). 2 groups to switch between Auditorium 2 and Undervisningsrom1 (3rd floor)

Irina Sandu (Munch Museum) and Arthur Clay (HSLU)
 

16:25–17:30

User Evaluation studies

Irina Sandu (Munch Museum) and Arthur Clay (HSLU)

Program Tuesday, June 4

Time Tuesday, June 4
09:00–10:00 Registration

10:00–10:20

Opening

Aud Tønnesen, Ingrid Louise Flatval, Lavinia de Ferri

10:20–11:00

Key Note 1 – Dante Abate

Advanced and Intelligent Aerial and Space-Born Techniques to Safeguard Archaeological Sites Against Natural and Man-Made Threats

11:00–11:30 Coffee break and poster session 1
 

Oral session 1 – Applications of Artificial Intelligence, 3D documentation and Virtual Reality

Chair: Dante Abate

11:30–11:50

Tracing forgeries of paintings with attribution markers and artificial intelligence 

Barbara Łydżba-Kopczyńska, Janusz Szwabiński, Magdalena Iwanicka & Piotr Targowski

11:50–12:10

Fusing 3D imaging modalities for the internal and external investigation of multi-material museum objects

Francien Bossema, Paul J.C. van Laar, Kimberly Meechan, Daniel O’Flynn, Joanne Dyer, Tristan van Leeuwen, Suzan Meijer, Erma Hermens & Joost Batenburg 

12:10–12:30

A study of enamels: conservation and history of global transfer of technology aided by machine learning

Rebecca Mitchell, Haida Liang, Sotiria Kogou, Luke Butler, C. S. Cheung, Patrick S Atkinson, Florence Liggins, Lucia Burgio, Valentina Risdonne, Capucine Korenberg, Andrew Meek

12:30–13:30 Lunch
 

Oral session 2 – Applications of Computed Tomography technology

Chair: Susan Braovac

13:30–13:50

Unlocking van Goyen´s panels: a comprehensive study integrating dendrochronology, x-ray CT, and database comparison for technical art historical paintings insights

Alexandra Lauw, Sara Valadas, Maria Mayer, Antonio Candeias & Vanessa Antunes

13:50–13:10

Offering bearer statuettes from the Minhotep’s Tomb: technical comparison between three Ancient Egyptian funerary wooden sculptures

Nicole Manfredda, Paola Buscaglia, Paolo Del Vesco, Francesca Tensella, Luisa Vigorelli, Laura Guidorzi, Alessandro Re, Tommaso Poli, Chiara Ricci, Tiziana Cavaleri, Matilde Borla & Alessandro Lo Giudice     

14:10–14.30

A scan of worms

Sofie Dierickx, Siska Genbrugge, Marieke van Es & Jan Van den Bulcke

14:30–15:00 Coffee break & Poster session 1
 

Oral session 3 – Data management

Chair: Espen Uleberg

15:00–15:20

Addressing Contemporary Challenges in Art and Cultural Institutions: Exploring the Role of Blockchain Technology in the Preservation of Digital Cultural Heritage of Asia

Phillip Pon, Joyce Li, Puay Peng Ho, Harald Kraemer, Soon-Hwa Oh, Kiu-wai Chu

15:20–15:40

M3R – a Multimodal Representation for Storage and Open-Access Dissemination of Data of Historical Manuscripts

Simon Brenner, Hans Clausen, Gerlinde Schneider, Ivana Dobcheva, Wilfried Vetter, Manfred Schreiner, Heinz Miklas & Robert Sablatnig

15:40–16:00

From the excavations to the lab: Cutting-edge Strategies in Archiving archaeometric research at the Austrian Archaeological Institute/OeAW

Vasiliki Anevlavi, Karl Burkhart, Pamela Fragnoli, Sabine Ladstätter, Prochaska W., Helmut Schwaiger & Micheline Welte.

16:00–16:20

HERIe – digital preventive conservation platform

Ł. Berger, S. Bujok, M. Strojecki, M. Soboń, S. Antropov, R. Kozłowski, E. Hagan, D. Thickett & Łucasz Bratasz 

17:30 Welcome cocktail at the Historical Museum

Program Wednesday, June 5

Time Wednesday, June 5
 

Oral session 4 – Case studies

Chair: Peter Vandenabeele

09:00–09:20

A Multi-Analytical Investigation on Darkening of Blue Pigments in Munch’s Paintings

Jin Strand Ferrer, Beatrice Giorgia Boracchi, Francesca Caterina Izzo, Irena Kralj Cigic, Ljiljana Puskar, Terje Syversen & Irina Crina Anca Sandu

09:20–09:40

A multi-competence and multi-analytical approach to contrast fakes in art

Armida Sodo, Giuliana Calcani, Antonella Privitera & Marta Sardara

09:40–10:00

Feathered objects: a Multi Analytical Study

Madeline Meier, Hortense de La Codre & Maria Kokkori

10:00–10:20

MeV SIMS – an accelerator-based technique providing new insights into the characterization of ß-naphthol and triarylcarbonium colorants from the INTK Materials Collection

Dubravka Jembrih-Simbürger, Teodora Raicu, Matea Krmpotić, Zdravko Siketić, Katja Sterflinger & Iva Bogdanović Radović 

10:20–10:40

Exploring monitoring and mould cleaning options for paintings and painted surfaces: A case study of Andebu Church (ca. 1100), Norway

Lena Porsmo Stoveland, Johan Mattsson, Anne Apalnes Ørnhøi, Bjørg Agasøster & Mari Sand Austigard

10:40–11:00

A dissemination experiment centered on the scientific analysis of a cat mummy

Ronan Gaugne, Théophane Nicolas, Jérémy Lacoche, Fabrice Guichard, Odile Hays & Valérie Gouranton

11:00–11:30 Coffee break & poster session 1
 

Oral session 5 – Neutron and Synchrotron light-based techniques

Chair: Hartmut Kutzke

11:30–11:50

Advances in Neutron Resonance Transmission Imaging for inhomogeneous material characterization in Heritage Science

Giulia Marcucci, Antonella Scherillo & Daniela Di Martino

11:50–12:10

Neutron imaging of capillary water uptake in waste-based geopolymers for cultural heritage conservation

Maria Cristina Caggiani, Filomena Salvemini, Claudio Finocchiaro, Maura Fugazzotto, Roberta Occhipinti, Silvia Portale, Sabrina Zafarana, Germana Barone & Paolo Mazzoleni

12:10–12:30

Deciphering the chemistry and nanostructure of artists’ paints with mixed protein-oil binders

Rafaella Georgiou, Alexandre Dazzi, Jeremie Mathurin, Giulia Caroti, Silvia Pizzimenti, Celia Duce, Mathieu Thoury, Patrick Dietemann, Bergmann Uwe & Ilaria Bonaduce

12:30–13:30 Lunch
 

Oral session 6 – New approaches for the study of textiles

Chair: Hana Lukesova

13:30–13:50

New insights on flax fiber durability through the study of ancient Egyptian textiles

Camille Goudenhooft, Alessia Melelli, Loren Morgillo, Sylvie Durand, Johnny Beaugrand, Raymond Wightman, Anita Quilès, Roberta Cortopassi, Darshil U. Shah, Frédéric Jamme & Alain Bourmaud

13:50–14:10

Study of the degradation of ancient Egyptian fabrics through synchrotron radiation and cutting-edge techniques

Alessia Melelli, Camille Goudenhooft, Sylvie Durand, Roberta Cortopassi, Johnny Beaugrand, Anita Quilès, Alain Bourmaud, Mario Scheel & Frédéric Jamme

14:10–14:30

Metallic Thread Lace: Unveiling Manufacturing Techniques via Scientific Analysis of Historic Textiles

Karolina Skóra, Aldona Kopyciak, Agnieszka Kwiatkowska, Julio M. del Hoyo-Meléndez

14:30–17:30 Guided Tours (approximate duration)

Program Thursday, June 6

Time Thursday, June 6
09:00–09:40

Key Note 2 – Michał Lukomski

Sustainable Management of Collection Environments

 

Oral session 7 – Preventive conservation

Chair: Łucasz Bratasz

09:40–10:00

How the impact of natural ventilation and air pressure affects climate control in Historic Museum Buildings

Roland Lindenbeck, Ida Bryn & Linn Solheim

10:00–10:20

Analyzing Vibration Levels in Museum Collections

Eva Hartlieb, Pascal Ziegler & Peter Eberhard

10:20–10:40

Mapping visitor and music related vibrations in Estonian National Museum

Kristiina Piirisild & Mari Allik

10:40–11:00

Satellite images and risk management strategies for Cultural Heritage in natural and semi natural environment

Mónica Moreno, Rafael Barea, Rocío Ortiz, Luis Castro, Daniel Cagigas2, Pilar Ortiz

11:00–11:30 Coffee break & poster session 2
 

Oral session 8 – New approaches for conservation

Chair: Tine Frøysaker

11:30–11:50

Initial Exploration of Surface Attached Gels for Swelling Acrylic Coatings

Grace Hanrahan, Bronwyn Ormsby & Charis Theodorakopoulos

11:50–12:10

Development of an innovative method to stabilize the chemical reconversion of darkened lead white in wall paintings

Patrizia Moretti, Giulia Russo, Francesca Piqué, Cristina Fragoso Corti, Letizia Monico & Mauro Matteini

12:10–12:30

Solving Microbiological Infestation on Arctic Cultural Heritage

Hana Lukesova, Camilla Celine Nordby

12:30–13:30 Lunch
 

Oral session 9 – Archival and written documents

Chair: Ludovic Bellot-Gurlet

13:30–13:50

Archaeometrical philology for the study of deteriorated and overlapping layers of ink: the colour-code writing system and afterlife of an early Qur’anic fragment

Giuseppe Marotta, Alba Fedeli & Claudia Colini

13:50–14:10

Alf Bjercke’s factory. Comparing ready-made paint and colour swatches with archived recipes from the first half of the 20th century

Elena Platania, Barbro Wedvik & Calin Steindal

14:10–14:30

Tracing the author of an iconic Greek Enlightenment book by investigating its printing ink components with Infrared spectroscopy and X-ray fluorescence

Stamatis C. Boyatzis, Theodore Ganetsos, Panagiotis Paspaliaris & Vasileios Papadakis

14:30–15:00 Coffee break & Poster session 2
 

Oral session 10 – New methods for diagnostics

Chair: Danilo Bersani

15:00–15:20

The contribution of multiphoton microscopy to our knowledge of parchments

Laurianne Robinet, Giulia Galante, Sylvie Heu-Thao, Marie-Claire-Schanne Klein & Gaël Latour

15:20–15:40

From rock to artefacts: investigating the provenance of lapis lazuli in antiquity with µ -PIXE and µ -IBIL

Marta Magalini, Laura Guidorzi, Alessandro Re & Alessandro Lo Giudice

15:40–16:00

Analysis of organic residuals found within ceramic vessels using aptamers and immunofluorescence microscopy

Janez Kosel, Lea Legan & Polona Ropret

16:00–16:20

Proteogenomic Insights from a Waterlogged Medieval Pelt from Tønsberg, Norway

Enrico Greco, Calin Steindal, Pia Edqvist, Sabina Licen, Pierluigi Barbieri, Anastasia Serena Gaetano, Stefano Fornasaro, Sabrina Semeraro, Alessandro Miani, Prisco Piscitelli, Alberto Pallavicini, Fiorella Florian, Licia Elvira Prestagiacomo, Caterina Gabriele & Marco Gaspari

17:30 (meeting time) Social dinner at Frognerseteren (frognerseteren.no)

Program Friday, June 7

Time Friday, June 7
09:00–09:40

Key Note 3 – Anna Vila

Building Bridges: Integrating Conservation and Conservation Science

 

Oral session 11 – New approaches to cleaning: 1st part

Chair: Angeliki Zisi

09:40–10:00

Assessment of greener solutions for the cleaning of historical metal heritage

Arianna Passaretti, Luana Cuvillier, Giorgia Sciutto, Emilio Cano, Blanca Ramírez Barat, Stephan von Reuss & Edith Joseph

10:00–10:20

A Comparative Study of Confined Aqueous Cleaning Systems for Water-Sensitive Painted Wood

Jessica Chasen, Elizabeth Homberger & Laura Maccarelli 

10:20–10:40

Developing environmentally sustainable solutions for cleaning Edvard Munch's monumental Aula paintings: a materials science-driven multi-analytical methodology

Martina Romani, Mercedes Ortega, Francesco Caruso, Olivia Gómez-Laserna, Iratxe Zarandona, Jan Dariusz Cutajar, Tine Frøysaker, Erlantz Lizundia & Maite Maguregui

10:40–11:00

Nonwoven electrospun mats and green solvents: progress in their development as new artwork restoration systems

Francesca Ramacciotti, Giorgia Sciutto, Arianna Menichetti, Burcu Keser,  Maria Letizia Focarete, Rocco Mazzeo, Marco Montalti, Chiara Gualandi & Silvia Prati

11:00–11:30 Coffee break and poster session 2
 

Oral session 12 – New approaches to cleaning: 2nd part

Chair: Calin Constantin Steindal

11:30–11:50

Investigation of non-contact cleaning typical unstable sensitive cultural heritage materials from fire-born soot using atomic oxygen generated with the radiofrequency cold plasma at atmospheric pressure

Tomas Markevičius, Nan Yang, Anton Nikiforov, Rino Morent, laria Bonaduce, Nina Olsson, Kirill Shumikhin, Klaas  Jan van der Berg, Catarina Pires, Marta Cremonesi, Geert Van der Snickt, Gianluca Pastorelli, Louise Cone, Sofie Wikkelsø Jensen, Ana Sobota, Michail Poupouzas, Francisco Mederos Henry, Michaela Florescu, Alison Norton, Josephine Bobeck, Yijia Song

11:50–12:10

Study of the behaviour of pigments of different nature under laser irradiation: comparison between nanosecond and femtosecond domains

Laura Andrés-Herguedas, José Santiago Pozo-Antonio, Teresa Rivas Brea, Daniel Jiménez-Desmond & Alberto Ramil

12:10–12:30

Unveiling Radiance: An Analytical Exploration of Laser Cleaning Efficacy Evaluation in Contemporary Mural Restoration

Yezi Zhang, Francesca Zenucchini, Chiara Ricci & Dominique Scalarone

12:30–13:30 Lunch
 

Oral session 13 – New materials for conservation

Chair: Antonio Candeias

13:30–13:50

Learning from Romans: when Vitruvian recipes became the inspiration for new technologies

Neva M. E. Stucchi, Giulia Franceschin, Cristina De Nardi, Andrea Vavasori & Arianna Traviglia 

13:50–14:10

The UNESCO site of Cefalù Cathedral (Sicily) as a pilot site for the application and study of innovative conservation interventions

Antonella Bertino, Maria Cristina Caggiani, Maua Fugazzotto, Silvia Portale, S. Starinieri, Paolo Mazzoleni & Germana Barone.

14:10–14:30

Exploring Eco-Friendly Antimicrobial Solutions for Cultural Heritage Stone Conservation

Andrea Campostrini, Agustí Sala-Luis, Maria del Pilar Bosch-Roig, Elena Ghedini, Michela Signoretto & Federica Menegazzo 

14:30–15:00 Coffee break & Poster session 2
 

Oral session 14 – Applications of Spectral Imaging Techniques

Chair: Sony George

15:00–15:20

Application of hyperspectral imaging to evaluate cleaning methods for corroded glass

Tiziana Lombardo, Ulrike Rothenhaeusler, Deepshikha Sharma, Sony George & Katharina Schmidt-Ott

15:20–15:40

Silver/dyes decoupling and colour restoration of autochromes using multispectral imaging

Irina-Mihaela Ciortan, Isabel Yoko Arteaga Kiyomoto, Giorgio Trumpy, Jon Yngve Hardeberg, Catlin Langford, Lucia Burgio & Saptarshi Neil Sinha

15:40–16:00

A combined study using MSI (Multi Spectral Imaging), HSI (Hyper Spectral Imaging) and chemical analysis to study pigments in ancient art

Paola Fermo, Chiara Andrea Lombardi, Vittoria Guglielmi, Andrea Bergomi, Mattia Borelli, Gianluca Carabelli, Valentina Verzoni, Mario Colella, Valeria Comite.

16.00-16.10 Closing remarks

Please note that posters will remain exhibited during the conference and be available for discussion also during the lunch breaks and afternoon coffee breaks. 

Published Jan. 30, 2024 1:11 PM - Last modified June 2, 2024 6:11 PM